It's pretty late at night as I am typing this. It's been a wild week at the station. Who would have thought that we would see the words “pandemic”, empty store shelves, toilet paper hoarding, Canada's borders closed, and British Columbia's government declaring a State of Emergency in 2020?
Read MoreASMR is strange, but we live in strange times. Pandemic anybody? For those of you stuck at home, enjoy this video of a tortoise eating a watermelon coronavirus.
Heres to 2020 getting better.
Go 🐢 go!
Read MoreRelevant to today’s news with Trump being acquitted by a Republican majority US Senate, we invite you to give a listen to The Honey Dripper’s “Impeach the President”.
Read More“He’s not the messiah, he’s a very naughty boy”—Welsh actor and comedian Terry Jones has died.
Read MoreBlue Monday is the new name given to a day in January (typically the third Monday of the month) claimed to be the most depressing day of the year. The concept was first published as part of a 2005 press release from holiday company Sky Travel, which claimed to have calculated the date using an equation. It takes into account weather conditions and this only applies to the Northern Hemisphere.
Read MoreThe Music Collective Coordinator is responsible for taking a lead on “the VIU Metre”, CHLY’s new student-driven drive time music show. The VIU Metre is a show for the music obsessed. It will feature interviews with local and touring musicians, and a mix of independent music not heard elsewhere on the airwaves from all around the globe, with a healthy dose of the local, and Canadian Content.
Read MoreAs the year and the decade comes to a close, on behalf of CHLY 101.7FM, I want to wish you a happy 2020! 2019 was a pretty great year for us with our inaugural workshop series, new staff (shoutout to James Kasper) and volunteers joining us, a super fun Summer Radio Camp for kids, daily news updates, and the start of our VIU Student Collectives (Go Cass, Maya, Matthew, Kaylie, and Melika!).
Read MoreAlthough it was towards the end of his life, so when well past his electrifying best, I was fortunate to see the inimitable James Brown, ‘Godfather of Soul,’ perform live.
Read MoreA best-of collection might seem an unusual choice for inclusion in a run-down of 2019’s best music, but when it comes to the extraordinary sound of the great German-born British composer, Max Richter, we at Fascinating Rhythm would love it to reach as many ears as possible.
Read MoreNanaimo’s Chris Thompson is a man of many talents. A singer, songwriter, producer, recording engineer and multi-instrumentalist, Chris is unarguably one of the pivotal figures of the city’s independent music scene.
Read MoreAlthough hailing from Saskatchewan, the sweet folk music created by cousins Kacy Anderson and Clayton Linthicum are firmly rooted in the classic British folk and folk-rock scenes of the late 60s and early 70s, recalling such as Richard & Linda Thompson and Fairport Convention.
Read MoreThe 2018 issue of the previously unreleased material on John Coltrane’s so-called ‘lost album,’ Both Directions at Once, was greeted with great excitement, as anything of substance from the legendary jazz saxophonist’s vault would and justifiably should be.
Read MoreDescribed by AllMusic’s Timothy Monger as “fusing gritty punk ethos with traditional bluegrass and old-time string band music,” Regina’s The Dead South dropped their 3rd fine full-length album, Sugar & Joy, in October.
Read MoreA couple of years back I had the privilege of seeing the incredible Tinariwen perform at Vancouver’s Chan Centre for the Performing Arts; it was an evening unlike I’d ever previously experienced, and will live with me forever.
Read MoreWe're big fans of vintage soul music at Fascinating Rhythm, so it’s rare that a day goes by without something from that genre receiving a spin.
Read MoreI’ve been in thrall to the music of Sharon Van Etten for many years, particularly her 2012 masterpiece, Tramp.
Read MoreBorn and raised in St. Louis, Missouri, but now based in Asheville, North Carolina, Angel Olsen is proving to be something of a chameleonic artist, her sound developing or, as displayed on the brilliant All Mirrors, changing completely with each successive album release.
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